Andrew Boszhardt, a versatile actor, writer, and producer based in New York City, is making his debut in New York in the revival of Resurrection. Tackling three roles in this emotionally charged production, Boszhardt brings his talents to bear in a play written by award-winning playwright and producer Anne L. Thompson-Scretching. Running from October 16 to October 27, 2024, at the John Cullum Theatre (314 W 54th St., Fourth Floor), Resurrection marks a significant milestone in Boszhardt’s career, showcasing his ability to navigate the complexities of live theater with the same skill he has demonstrated in film.
His participation in Resurrection arrives at a pivotal moment, as the play is staged amid the first federal investigation into the 1921 Tulsa Race Massacre, led by the Department of Justice. The historical backdrop enhances the production’s urgency, highlighting America’s ongoing reckoning with racial injustice. Through Resurrection, audiences are invited to grapple with the harsh realities of the past and reflect on the continued fight for racial equity.
In Resurrection, Thompson-Scretching’s poignant writing vividly captures the rise and fall of Tulsa’s Black community, focusing on their success as entrepreneurs and property owners, only to be violently destroyed by a white supremacist mob. What sets Resurrection apart is its supernatural dimension, weaving haunting elements that force audiences to reckon with the past’s lingering specters. Thompson-Scretching’s work not only illuminates historical injustice but also speaks to its ongoing relevance today, pushing audiences to reflect on the continued struggle for racial justice.
Following a successful run at the Oklahoma City Performing Arts Center—where it earned a nomination for the OK Broadway Theater Award—Resurrection is now captivating New York audiences with its intense emotional gravity and timely message. Thompson-Scretching’s return to the American Theatre of Actors reaffirms her ability to shine a light on America’s darkest moments while sparking essential conversations about the unresolved issues we still face.
Boszhardt’s performance in Resurrection is distinguished by his ability to convey emotional depth and nuance. He portrays characters that symbolize the societal forces behind the tragic events of the Tulsa Race Massacre—characters representing the envy, malice, and hatred that fueled the destruction of Tulsa’s prosperous Black community, Greenwood, known as Black Wall Street. With each role, Boszhardt delves into the human perspective to this historic atrocity. His powerful portrayal adds layers to the narrative, encouraging audiences to confront uncomfortable truths about America’s racial history.
Although Boszhardt has made a name for himself in film, his stage debut in Resurrection highlights his seamless ability to transition between screen and theater. His recent film work includes writing, producing, and starring in the upcoming horror/thriller Breed of Greed, featuring Gina Gershon, Adrian Enscoe, and Madison Lewis. Set to premiere at the LA International Horror Film Festival over Halloween weekend, with a New York screening slated for mid-November, the film is further proof of Boszhardt’s range and creative vision. He has also been involved in high-profile projects like Cutman, where he worked alongside Bill Fichtner and Chris Noth. His growing body of work underscores his reputation as a multifaceted artist, both in front of and behind the camera.
For Boszhardt, Resurrection is more than just a debut; it cements his standing as a dynamic performer capable of taking on intricate, challenging roles. His performance, paired with Thompson-Scretching’s powerful writing and direction, ensures that Resurrection leaves a lasting impact—prompting reflection on history and an urgent call for a more just future.
Published by: Holy Minoza