NEW YORK WIRE   |

September 23, 2026

New York Wire

NEW YORK WIRE   |

September 23, 2026

Rising Star Asks What Dani Truehart Actually Wants

By: Lucia Wilson The title of Rising Star refers to Dani Truehart’s emerging pop music career, but it also refers to something that matters considerably more to the quality of the novel and to its value for its YA audience: Dani’s emerging sense of herself as someone with her

Eddy Mann’s “We Are” Finds Freedom in Worship’s Unlikeliest Beat

By: Joe Carmen Contemporary worship music is a genre built, in part, on predictability. That isn’t necessarily a criticism. Music designed for communal participation benefits from recognizable structures: uncomplicated melodies, steady rhythms, choruses that reveal themselves quickly, and repetition generous enough that a congregation can join in without rehearsal.

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Inside AP Space: the Chelsea Show Where Glass Learns to Act Like Water

Inside AP Space: the Chelsea Show Where Glass Learns to Act Like Water

There’s a specific illusion at AP Space’s last exhibit, South Korean artist Yoo Choong Mok’s solo exhibition, Tracing Light. It filled the Chelsea gallery with canvases that appear, at first glance, to be dripping. They aren’t. Every droplet is glass, individually hand-formed and fused onto raw canvas and wood,

Jeremy Parsons Looks His Younger Self in the Eye on “Who Was I”

Jeremy Parsons Looks His Younger Self in the Eye on “Who Was I”

By: Cole Harper There’s a dangerous moment in adulthood when the person you were at 25 stops feeling like you and starts feeling like some reckless bastard whose memories you somehow inherited. Jeremy Parsons lives inside that uncomfortable distance on “Who Was I,” a candid piece of Americana self-examination

ARGYRO Finds Substance Beneath the Spotlight on Glitterati

ARGYRO Finds Substance Beneath the Spotlight on Glitterati

By: Marcus Ellington ARGYRO understands that glamour has always been one of pop music’s greatest tricks. The lights, clothes, cameras, and carefully constructed personas lure an audience toward the stage, but the artists who endure are usually the ones who eventually reveal something more interesting underneath. On Glitterati, ARGYRO

Shweta Harve Is Asking Questions Pop Music Usually Avoids

Shweta Harve Is Asking Questions Pop Music Usually Avoids

There is something almost contrary about Shweta Harve’s approach to popular music. At a moment when songs are increasingly designed to seize attention within seconds, Harve keeps making records that ask the listener to stop, think, and occasionally reconsider the way they are living. That is not exactly the

Patti Spadaro Finds Her Center on “Mystic Misfit”

Patti Spadaro Finds Her Center on “Mystic Misfit”

By: Nathaniel Cross There is something appropriately Pittsburgh about Patti Spadaro. She is grounded but adventurous, hardworking without making a spectacle of the work, and seemingly uninterested in following whichever direction the cultural wind happens to be blowing. Throughout a career encompassing rock and roll, improvisational music, education, yoga,

The Gentle Power of "Not Yet"

The Gentle Power of “Not Yet”

By: Kerry Espey Parents are often advised to set boundaries, as if boundaries were a product you could order, assemble, and install. In practice, boundaries are made out of language, repeated, negotiated, sometimes resented, often necessary. The phrases that do this work are rarely elegant. They are functional. They

The Lines Between Is the Book That Shows Danielle M. Wong Is Not Playing It Safe

The Lines Between Is the Book That Shows Danielle M. Wong Is Not Playing It Safe

By: Catalina Santorini There is a particular creative courage that shows up in psychological thriller writing when an author decides to trust the intelligence of her reader, to resist the temptation to over-explain or over-signal, and to let the story’s complexity remain complex rather than smoothing it into something

Harry Kappen's "Distant Shore" Navigates the Waters Between Compassion and Art

Harry Kappen’s “Distant Shore” Navigates the Waters Between Compassion and Art

By: Fred Davison Some songs announce themselves with volume. Others earn their place through patience. Harry Kappen’s “Distant Shore” belongs firmly in the second camp, a thoughtful, beautifully realized piece of atmospheric rock that reminds you how powerful restraint can be when it’s backed by conviction. For years, Kappen