NEW YORK WIRE   |

November 2, 2026

New York Wire

NEW YORK WIRE   |

November 2, 2026

Museum of Arts and Design Opens John Procario’s First Solo Museum Show

John Procario: Freeforms opened October 27, 2026, at the Museum of Arts and Design at 2 Columbus Circle, giving the American designer his first solo museum presentation. The show fills two galleries with hand-bent ash light sculptures, sconces and furniture lit from within, and runs through April 4, 2027.

The Professor Who Dressed as a Bum on the First Day of Class

The Professor Who Dressed as a Bum on the First Day of Class

How Steve Weinstein Turns a Lecture on Perception Into a Prank in Nuts To You A man in torn overalls sits outside the lecture hall with a cigar box marked “Tips.” When the professor fails to show, he walks to the podium and starts to undress. That is the

Alison Storry Spent Fifty Years Moving Before She Wrote Fatherless

Alison Storry Spent Fifty Years Moving Before She Wrote Fatherless

By: Ariana Chan There is a particular kind of life that looks, from the outside, like a series of exciting reinventions, each new country and each new chapter representing freedom and opportunity and the specific pleasure of a person who has refused to be confined by geography or circumstance.

Rising Star Asks What Dani Truehart Actually Wants

Rising Star Asks What Dani Truehart Actually Wants

By: Lucia Wilson The title of Rising Star refers to Dani Truehart’s emerging pop music career, but it also refers to something that matters considerably more to the quality of the novel and to its value for its YA audience: Dani’s emerging sense of herself as someone with her

Eddy Mann’s “We Are” Finds Freedom in Worship’s Unlikeliest Beat

Eddy Mann’s “We Are” Finds Freedom in Worship’s Unlikeliest Beat

By: Joe Carmen Contemporary worship music is a genre built, in part, on predictability. That isn’t necessarily a criticism. Music designed for communal participation benefits from recognizable structures: uncomplicated melodies, steady rhythms, choruses that reveal themselves quickly, and repetition generous enough that a congregation can join in without rehearsal.

Inside AP Space: the Chelsea Show Where Glass Learns to Act Like Water

Inside AP Space: the Chelsea Show Where Glass Learns to Act Like Water

There’s a specific illusion at AP Space’s last exhibit, South Korean artist Yoo Choong Mok’s solo exhibition, Tracing Light. It filled the Chelsea gallery with canvases that appear, at first glance, to be dripping. They aren’t. Every droplet is glass, individually hand-formed and fused onto raw canvas and wood,

Jeremy Parsons Looks His Younger Self in the Eye on “Who Was I”

Jeremy Parsons Looks His Younger Self in the Eye on “Who Was I”

By: Cole Harper There’s a dangerous moment in adulthood when the person you were at 25 stops feeling like you and starts feeling like some reckless bastard whose memories you somehow inherited. Jeremy Parsons lives inside that uncomfortable distance on “Who Was I,” a candid piece of Americana self-examination

ARGYRO Finds Substance Beneath the Spotlight on Glitterati

ARGYRO Finds Substance Beneath the Spotlight on Glitterati

By: Marcus Ellington ARGYRO understands that glamour has always been one of pop music’s greatest tricks. The lights, clothes, cameras, and carefully constructed personas lure an audience toward the stage, but the artists who endure are usually the ones who eventually reveal something more interesting underneath. On Glitterati, ARGYRO

Shweta Harve Is Asking Questions Pop Music Usually Avoids

Shweta Harve Is Asking Questions Pop Music Usually Avoids

There is something almost contrary about Shweta Harve’s approach to popular music. At a moment when songs are increasingly designed to seize attention within seconds, Harve keeps making records that ask the listener to stop, think, and occasionally reconsider the way they are living. That is not exactly the

Patti Spadaro Finds Her Center on “Mystic Misfit”

Patti Spadaro Finds Her Center on “Mystic Misfit”

By: Nathaniel Cross There is something appropriately Pittsburgh about Patti Spadaro. She is grounded but adventurous, hardworking without making a spectacle of the work, and seemingly uninterested in following whichever direction the cultural wind happens to be blowing. Throughout a career encompassing rock and roll, improvisational music, education, yoga,

The Gentle Power of "Not Yet"

The Gentle Power of “Not Yet”

By: Kerry Espey Parents are often advised to set boundaries, as if boundaries were a product you could order, assemble, and install. In practice, boundaries are made out of language, repeated, negotiated, sometimes resented, often necessary. The phrases that do this work are rarely elegant. They are functional. They